Scroll below the nine projects related to the Italian Pavilion 2021 "LIKE NOW">>>

RAJM (Italian Pavilion 2021)

RAJM > Venice Biennale Gardens > Luca Rossi  pdf document, little sculpture inside Venice Biennale Gardens, Luca Rossi 2017.  "RAJM" in Arabic means "stoning". The stones of this "stoning" today are the information, the thousands of contents of which we are...

Sénanque (Italian Pavilion 2021)

TAO > Sénanque Abbey (France) > Luca Rossi an action (to photo an empty display case), photographic documentation, Luca Rossi 2013.  The Cistercian Abbey of Sénanque, in the south of France, is a great "religious Walt Disney" that welcomes thousands of visitors...

ICA (Italian Pavilion 2021)

- F A K E   N E W S -   LUCA ROSSI  ICA MILAN  12th january 2019 - indefinite time   In the Italian contemporary art scene there is a figure of considerable interest. Luca Rossi–artist/ collective, critic, curator, and blogger–is a controversial personality who works...

MAAT (Italian Pavilion 2021)

 UTOPIA / DISTOPIA A Hidden Artwork inside MAAT Museum    Luca Rossi was defined “the most interesting personality” in Italy by Fabio Cavallucci, Director of Museo Pecci in Prato (Exibart.com, 2010), and “the new Vanessa Beecroft” by Giacinto Di Pietrantonio,...

Thermal Refuge (Italian Pavilion 2021)

Luca Rossi THERMAL REFUGE  Helvetia Spa, Thermal and Wellness Area (Porretta Terme, Bologna)   A project inside the Spa, Thermal and Wellness area of  Hotel Helvetia repurposed from what was a anti-aerial hideout during World War II. A unique experience...

Dolomiti Project (Italian Pavilion 2021)

“Rather than suffering or resist it by inertia, global capitalism seems to have made own flows, speed, nomadism? So we have to be even more mobile. Do not force us, and force us to greet the stagnation as an ideal. Is the world imaginary dominated by flexibility? We...

Fake News (Italian Pavilion 2021)

Scottish National Gallery of Modern Art YELLOW Luca RossiEdinburgh . Who is Luca Rossi?   . La Critica La Lotta Il Futuro  . . Fake News . container, 7800 Amazon packs, 7800 artworks, 2018. . . . If the modern period looked for the innovative principle, the postmodern...

7800 (Italian Pavilion 2021)

ITA   /   ENG . . The title of this project, "7800", suggests an imagined altitude but also a year of the future. The project, designed for Manifesta 12, celebrates the Voodoo, the oldest religion in the world, and involves 7800 Africans participating in a large...

Black Mirror (Italian Pavilion 2021)

Black Mirror > Prada Foundation Venice> Luca Rossi >>> black conditioners / radiators inside the Prada Foundation, visitors' phones, visitor action, videos made by visitors, Prada Foundation, Luca Rossi 2019.  During the visit to the Prada Foundation in...

Italian Pavilion 2021 > Like Now

– 1 March2020 > for a indefinite time –  

WHO IS LUCA ROSSI / BEST 10 ARTISTS

“The problem is not allowing people to express themselves, they do it too much; rather it is necessary to provide them with interstices of solitude and silence so that they can finally say something true. ” Gilles Deleuze

Leaving the Italian Pavilion, in the Arsenale complex, exactly as it is now, on February 27, 2020: that is, empty. At the same time, 20 projects will be presented that can happen suddenly anywhere in the world. Nine of these projects are already active and usable, while the other 11 will be implemented through a self-financing campaign on this page:

 Projects already active in the world>

 …plays… (Varsavia, dal 2011)Sénanque Abbey Project (Gordes FR, dal 2013)RAJIM (Giardini della Biennale, dal 2015)Dolomiti Project (2017) Thermal Refuge (Porretta Terme, dal 2016)Utopia/Distopia (Lisbona, dal 2017)7800 (realizzato nuovamente nell’estate 2021)Fake News (Edimburgo, dal 2018)Black Mirror (Venezia, dal 2019)

An empty exhibition space means going behind the scenes. What do we look for when we enter an exhibition space? Answers, questions, emotions? Leaving an empty pavilion means creating that space of solitude and silence that Gilles Deleuze talks about. In a historical phase in which the communication of the real tends to manipulate and modify the real itself. Leaving the “exhibition space” empty also means dilating this space, making it equal or replaceable to the external spaces; make it clear how each place can be a space for action or use.

You can become a SPONSOR> you can agree on the contribution to carry out the project where you prefer by writing to lucarossicampus@gmail.com