Month: July 2017

Summer Show 2015/2017: intervista con HUO.

HUO: Ho visto Summer Show 2015/2017. Le opere disegnate direttamente dentro lo spazio sono essenziali. Spazzano via tante cose inutili del mondo dell’arte: viaggi, aperitivi, pubbliche relazioni, speculazioni, biennali, ecc. Mi piace il parallelo che fai tra la scrittura sulle caverne e il mouse tattile di Apple. Esattamente per questo sono così efficaci. Come si pongono i tuoi interventi alla Tate Modern e alla Fondazione Prada con i problemi di attualità, spesso molto attraenti per l’arte contemporanea?   LR: Gli artisti spesso vivono un “senso di colpa”, come se il medico, il muratore o il cuoco per fare un...

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MAAT MUSEUM PROJECT

 UTOPIA / DISTOPIA A Hidden Artwork inside MAAT Museum    Luca Rossi was defined “the most interesting personality” in Italy by Fabio Cavallucci, Director of Museo Pecci in Prato (Exibart.com, 2010), and “the new Vanessa Beecroft” by Giacinto Di Pietrantonio, Director of GAMeC Museum (Artribune.com, 2013). In 2011 Alfredo Cramerotti (curator of “Manifesta” and Museum Director Mostyn, Wales) wrote: “To be honest, I’m not Roberta (a 2011 project by Luca Rossi) made me think more than dozens of other projects I have seen “live”.    The MAAT Art Project  is accessible by reading a PDF document that will be the “track”...

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Summer Show 2015/2017

. . . . . . .         With the tips of left hand fingers  various material, Tate Modern 2015.   From the walls of the caverns to the tactile mouse of Apple, artwork, author and spectator are always in the same space and at the same time. An “art ecology” where the resources employed are close to zero and where the spectator is forced into a “motionless nomadism”. The artwork is always installed in our private dimension, the only political space that still has a margin for change.              ...

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